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Joe moved out of the home he shared with his parents and his brothers, Kevin, 23, and Nick, 18, a year and a half ago, to rent a house with some buddies in Los Feliz. But it was haunted, he says—"We'd hear footsteps"—and he often thought about getting his own place. Then, about nine months ago, he started dating Twilight star Ashley Greene, and the idea of a little privacy became more appealing. So last November, he found a bachelor pad in this part of town, which he likes because "it's like my mini New York. I got my gym a few blocks away"—where he's been working out five days a week with his trainer.
"I like to watch all the crazy characters in the neighborhood," he says. "I saw this gay homeless guy that got arrested. When the cops said, 'Spread 'em,' he was like, 'You'd like that, wouldn't you?'" Joe grins; he likes a good comeback.
In addition to hitting the gym regularly, Joe is also a fan of bars in the area, like the Bowery on Sunset, because it's "really laid-back." Wait a minute—didn't the Jonas Brothers, who provided the voices of cherubs in 2009's Night at the Museum: Battle of the Smithsonian, swear off alcoholic beverages?
Yes, but that was back when Joe was living with his mom, Denise, and his dad, Kevin Sr., a former evangelical preacher who now co-manages the band. It was also before Joe decided to do a solo album, the first single from which will be released next month.
"I'm growing up, the fans are growing up," Joe says. "I've gone through a lot of stuff in my life so far. There are stories I haven't really been able to tell. When you're writing with three people, you wind up with a sound that might be—not average—but, you know, expected."
Joe's apartment, a loft studio in a brand-new high-rise, is sizable, but it's modest for a young man who, with his brothers, made $35.5 million last year, putting them at No. 40 on the Forbes "Celebrity 100." There's a stunning 180-degree view of Los Angeles. There's a vintage Pac Man game, a Batman pinball machine, a Baldwin piano, and an 8-month-old English-bulldog puppy named Winston. There's a Warholesque painting of Mick Jagger by a local artist. Joe—who is known for his on-stage brio, his jumps and kicks and orgasmic facial contortions—has said that he idolizes the performance styles of Jagger and Freddie Mercury, "the big frontmen."
There's also a framed photograph of Joe and his brothers at the White House with President Obama and Paul McCartney—on the wall right by the front door, so you can't miss it. "I didn't know who to be more excited about," Joe says of the meeting, which took place last year when McCartney received the Gershwin Prize for Popular Song. The Jonas Brothers performed a cover of "Drive My Car" at the event.
"I heard [McCartney] told somebody, 'I want the new Beatles to come and play for me,'" Joe says.
"I wanted to do something you could hear in a club or something you could dance to, something that's fun—something that's me. I think it was definitely because I was getting older. But it was also a kind of a scary thought. 'Cause you go, 'I don't want to offend my brothers.' You know?"
But when he approached Nick and Kevin, they were all for it. He also got the blessing of Hollywood Records, the Jonas Brothers' label, which is owned by Disney and which sold 8.5 million copies of the band's last three albums—Jonas Brothers, A Little Bit Longer, and Lines, Vines and Trying Times.
But the boys in the band aren't really boys anymore, and the sales of their recent albums have slipped slightly. Their 2009 Disney Channel sitcom, Jonas L.A., didn't catch on with viewers and was canceled after two seasons. Their debut film, Jonas Brothers: The 3D Concert Experience, was a disappointment, earning just over $19 million.
The thinking at Disney HQ seems to be that a solo turn by Joe might be a way for the Brothers to recapture their maturing fan base and possibly develop a new one. "We're not breaking up, we're just taking a break," Joe says. "I really have a hope for the fans that got older and went, 'You know what, I'm really not into the Jonas Brothers anymore,' that I'm able to catch their ear again with my project and they're able to go, like, 'Hey, this is cool stuff, I'm happy listening to this, I'm not embarrassed listening to this.'"
If Nick was always the cute Jonas, and Kevin the other Jonas, then Joe was the sexy one. The shrieks of the Brothers' 10,000-plus crowds are usually induced by his hip-swiveling-and-mic-twirling routine.
"Being on stage makes me come to life," Joe says. "When all eyes are on you, they're watching every move you make."
His gyrations have apparently caught the eyes of a number of fetching young female entertainers. He's dated the troubled Disney star Demi Lovato ("I wish her the best") and the actress Camilla Belle. Taylor Swift was so bitter after their breakup that she wrote a song about it ("Forever & Always") and went on The Ellen DeGeneres Show, in 2008, to complain that Joe had dumped her in a phone call that lasted 27 seconds.
Joe countered by saying that it was Swift who had hung up on him. Now he says, "I think all artists have a right to write about what happens to them. But," he adds with a smile, "I have a right to write about things too."
He won't say whether his album will contain a Swift rebuttal—just that there will be songs about "different love scenarios that I've been through, breakups, hurts. Me hurting somebody and feeling bad about it. I think there's a lot of scenarios where people might wanna hear my side of the story."
But who would break up with Joe?
"Some guy," he says with a laugh.
It's a nod to the gay rumors he's been fending off ever since he got into a verbal altercation with some taunting paparazzi earlier this year.
"There's nothing wrong with being gay," he says now, "but I'm not." Adding to the buzz, he dressed up in a leotard and heels and danced to "Single Ladies"—to comic effect—to square a sports bet with some buddies. He got the idea from his fans. The video of his performance got more than 25 million hits on YouTube.
"I like to watch all the crazy characters in the neighborhood," he says. "I saw this gay homeless guy that got arrested. When the cops said, 'Spread 'em,' he was like, 'You'd like that, wouldn't you?'" Joe grins; he likes a good comeback.
In addition to hitting the gym regularly, Joe is also a fan of bars in the area, like the Bowery on Sunset, because it's "really laid-back." Wait a minute—didn't the Jonas Brothers, who provided the voices of cherubs in 2009's Night at the Museum: Battle of the Smithsonian, swear off alcoholic beverages?
Yes, but that was back when Joe was living with his mom, Denise, and his dad, Kevin Sr., a former evangelical preacher who now co-manages the band. It was also before Joe decided to do a solo album, the first single from which will be released next month.
"I'm growing up, the fans are growing up," Joe says. "I've gone through a lot of stuff in my life so far. There are stories I haven't really been able to tell. When you're writing with three people, you wind up with a sound that might be—not average—but, you know, expected."
Joe's apartment, a loft studio in a brand-new high-rise, is sizable, but it's modest for a young man who, with his brothers, made $35.5 million last year, putting them at No. 40 on the Forbes "Celebrity 100." There's a stunning 180-degree view of Los Angeles. There's a vintage Pac Man game, a Batman pinball machine, a Baldwin piano, and an 8-month-old English-bulldog puppy named Winston. There's a Warholesque painting of Mick Jagger by a local artist. Joe—who is known for his on-stage brio, his jumps and kicks and orgasmic facial contortions—has said that he idolizes the performance styles of Jagger and Freddie Mercury, "the big frontmen."
There's also a framed photograph of Joe and his brothers at the White House with President Obama and Paul McCartney—on the wall right by the front door, so you can't miss it. "I didn't know who to be more excited about," Joe says of the meeting, which took place last year when McCartney received the Gershwin Prize for Popular Song. The Jonas Brothers performed a cover of "Drive My Car" at the event.
"I heard [McCartney] told somebody, 'I want the new Beatles to come and play for me,'" Joe says.
"I wanted to do something you could hear in a club or something you could dance to, something that's fun—something that's me. I think it was definitely because I was getting older. But it was also a kind of a scary thought. 'Cause you go, 'I don't want to offend my brothers.' You know?"
But when he approached Nick and Kevin, they were all for it. He also got the blessing of Hollywood Records, the Jonas Brothers' label, which is owned by Disney and which sold 8.5 million copies of the band's last three albums—Jonas Brothers, A Little Bit Longer, and Lines, Vines and Trying Times.
But the boys in the band aren't really boys anymore, and the sales of their recent albums have slipped slightly. Their 2009 Disney Channel sitcom, Jonas L.A., didn't catch on with viewers and was canceled after two seasons. Their debut film, Jonas Brothers: The 3D Concert Experience, was a disappointment, earning just over $19 million.
The thinking at Disney HQ seems to be that a solo turn by Joe might be a way for the Brothers to recapture their maturing fan base and possibly develop a new one. "We're not breaking up, we're just taking a break," Joe says. "I really have a hope for the fans that got older and went, 'You know what, I'm really not into the Jonas Brothers anymore,' that I'm able to catch their ear again with my project and they're able to go, like, 'Hey, this is cool stuff, I'm happy listening to this, I'm not embarrassed listening to this.'"
If Nick was always the cute Jonas, and Kevin the other Jonas, then Joe was the sexy one. The shrieks of the Brothers' 10,000-plus crowds are usually induced by his hip-swiveling-and-mic-twirling routine.
"Being on stage makes me come to life," Joe says. "When all eyes are on you, they're watching every move you make."
His gyrations have apparently caught the eyes of a number of fetching young female entertainers. He's dated the troubled Disney star Demi Lovato ("I wish her the best") and the actress Camilla Belle. Taylor Swift was so bitter after their breakup that she wrote a song about it ("Forever & Always") and went on The Ellen DeGeneres Show, in 2008, to complain that Joe had dumped her in a phone call that lasted 27 seconds.
Joe countered by saying that it was Swift who had hung up on him. Now he says, "I think all artists have a right to write about what happens to them. But," he adds with a smile, "I have a right to write about things too."
He won't say whether his album will contain a Swift rebuttal—just that there will be songs about "different love scenarios that I've been through, breakups, hurts. Me hurting somebody and feeling bad about it. I think there's a lot of scenarios where people might wanna hear my side of the story."
But who would break up with Joe?
"Some guy," he says with a laugh.
It's a nod to the gay rumors he's been fending off ever since he got into a verbal altercation with some taunting paparazzi earlier this year.
"There's nothing wrong with being gay," he says now, "but I'm not." Adding to the buzz, he dressed up in a leotard and heels and danced to "Single Ladies"—to comic effect—to square a sports bet with some buddies. He got the idea from his fans. The video of his performance got more than 25 million hits on YouTube.
